“Driven” are three mutoscopes, a predecessor of cinema, it was an early use of the persistence of vision to animate still images, much like a flipbook or a zoetrope.¬† Standing on an overpass, I’ve photographed drivers on the interstate during high traffic for these pieces. Rather than present animation, I’ve frustrated¬† viewers expectations in various degrees and instead, presented endless variations on a single image – the expression of the individual driver.